February 6, 2012 – Super Bowl Halftime Poke in the EYE

Last night on NBC the NFL Super Bowl XLVI (46) was played in front of 68,658 people with another projected 200,000 outside the stadium and a possible television audience of 113-million ( last year’s average U.S. TV audience, the largest in U.S. TV history. It could hit 113 million viewers this year, according to an unscientific poll by MediaLife).  The game and its anticipated show will be aired in 180 countries and territories.

And, what better way to celebrate this special event but to have the special event herself, Madonna, there to perform the halftime show. The Material Girl did not disappoint as she was her lip-synching, gyrating, AARP outrageous self.  From a pure entertainment effort you have to admire someone who, at her age, can still do what she does at this stage of her career.  To perform the movements she does for over 12 straight minutes in spiked heels and on various levels takes stamina and athletic abilities.  And, I am not talking about in her bedroom but on the Super Bowl Halftime Show stage.  That is where the admiration must stop because everything else about the show reeked fleshly excess, in-your-face-America audacity and, more importantly, of occult Illuminati symbolism.

The first thing of I noticed was how Madonna came out dressed as mythological royalty on a throne surrounded by wings and pulled by Roman soldiers/gladiators.  When she appeared in full regalia I immediately noted her “goddess” look and the crown on her head.  Some commentators on the web compared her look to Athena the goddess of wisdom.  And, while I see the resemblance of the look of the statue in the Nashville, Tennessee Parthenon I felt her look was more reminiscent of an Egyptian Queen/goddess Isis.  The movements by her and her dancers to her song Vogue were much more Egyptian than they were Greek.  There could be  a reason for that and that reason is the rumored and well documented influence of the Illuminati on popular music.  You can find well researched and thought out commentary about this at Vigilant Citizen’s website.

After I got past the throbbing beat of the music and the amazement of the gymnastics and acrobatics being performed by almost all involved (Cee lo Green was definitely not one of them) the occult/Illuminati images were obvious.

One of the most startling images to initially jump out were the various “gods” on stage with her.  In this picture we see a Loki (Norse god of mischief) and  the second we Hermes (Greek god of music; brother of Apollo the Sun God).

In fact, the god of music pay homage to Queen Madonna a few times in this song set.

It’s no secret that Madonna is a devotee (an ardent follower, supporter, or enthusiast; as of a religion, art form, or sport) of Kaballah.  Although many will try to tie this to Judaism it is closer to the Babylonian Mystery Religion then it is to Judaism.  According to one “metaphysical” site, “Kabbalah is an interpretation (exegesis, hermeneutic) key, “soul” of the Torah (Hebrew Bible), or the religious mystical system of Judaism claiming an insight into divine nature.  The term “Kabbalah” was originally used in Talmudic texts, among the Geonim, and by early Rishonim as a reference to the full body of publicly available Jewish teaching. In this sense Kabbalah was used in referring to all of known Oral Law. Over time it became a reference to doctrines of esoteric knowledge concerning God, God’s creation of the universe and the laws of nature, and the path by which adult religious Jews can learn these secrets.  Kabbalah, according to the more recent use of the word, stresses the esoteric reasons and understanding of the commandments in the Torah, and the occult cause of events described in the Torah. Kabbalah includes the understanding of the spiritual spheres of creation, and the ways by which God administers the existence of the universe.  According to Jewish tradition dating from the 13th century, this knowledge has come down as a revelation to elect saints from a remote past, and preserved only by a privileged few. It is considered part of the Jewish Oral Law by the majority of religious Jews in modern times, although this was not agreed upon by many Talmudic and medieval scholars, as well as many modern liberal rabbis and a minority of Orthodox rabbis.” (bold letter mine).

Kabbalah came into the Jewish belief system during their long and repeated captivity in Babylon.

So, it is any surprise that during the celebration of an event where athletes play for a revered treasure worshiped by all involved (the Lombardi Trophy – obelisk with a football atop it to make sure you know what you are worshipping) in Madonna would recreate the image of the Revelation 17 image of the harlot riding the beast for this celebration?  Can you say Mystery Babylon?!

To further espouse the mystical/sexual religious atmosphere of this performance Madonna does a series of cartwheels on the raised platform with her male dancers.  In one move she lays her head in an offered lap as she cartwheels over him.  Once that “dance” is done Madonna “came through” a pyramid of her dancers that very much resembled a baby coming out of the womb. Now, I know some may say this is stretching things but as you watched the video you will see that this imagery serves no other purpose during that section of the song.

The eye symbol of the Illuminati showed up through out the 12:40 second show.  Here are just a few times we see the single “eye” of enlightenment stare back at us.

First is inside the letters of the name of the song being sung “Vogue” with its message of self-realization and personal magical “new life” found inside of the music and on the primal dance floor.  The dance floor, that in this video transcends the natural and takes you into the sexual and the spiritual.  In this “temple” sex is a religious practice as it was in the Temples of Ashteroth/Ishtar/Isis.  In this image singer M.I.A. tells America what she thinks about it with a very prominent single finger salute with her left leg askew thereby exposing her lap in invitation to the devotees of this Temple.  The women on the stage raise their pelvis’ toward heaven in wide open legged fashion (thankfully NBC did not give us an aerial view of this one) as an offering to the imaginary gods roaming the stage.

The stage then becomes the “temple” where the Queen (in this case Madonna) is worshiped.  In this “temple” the “sun” invites you in and shines down on you at the same time.

The Masonic symbol found its way into the segment in various places but you have to look closely to find the connecting pyramids and symbol of the Square and Compass (seen in Madonna’s logo M center stage).

Finally, as the halftime extravaganza came to a spiritual conclusion all doubts and hiding of symbolic meaning ceased when these series of image flashed across our screen.

Here the symbol of the United Nations flashes across the stage as we begin the finale of a cry for spiritual unity and world peace.  Someone should tell them there can be no peace until the Prince of peace returns.

Better yet, maybe this scripture plays into this somehow –

For when they say, “Peace and safety!” then sudden destruction comes upon them, as labor pains upon a pregnant woman. And they shall not escape.

The Queen has now traded her crown for a gown with the familiar Masonic apron in its design as her fellow performer Cee Lo Green comes out in a combination priest/wizard gown. They are raised above their “flock” in adoration on what are cleverly disguised Temple columns which play heavily into the Masonic imagery.As the Temple Priestess Madonna cries out for heaven’s help as she intercedes for her worshipers. Her hands are clad in gloves with the symbol of the sun on them. From a Masonic siteThe Sun and The Moon – The Sun is associated with a series of symbolic meanings, so the dynamics between the axial correspondence Sun-Fire-Spirit, that heat and truth, the purification, the bravery, the guide of the human heart. The Sun is identified with masculinity, with the active principle, it is the symbol of origin, of beginning, of the reason that illuminates the darkness and spirits. The Moon symbolizes femininity, obscure, intuition, changeable nature of forms. It signifies also the human deprivation and the lost of dignity. Also, it means the mediator image between the celestial forces, because it reflects the sunlight.  In the Masonic sense, the Sun and Moon is alternation and balance between day and night, between black and white, between activity and rest, the dialectic of opposites.

Finally, we are given the final message and that message is:

As everyone joins in unified worship in front of the all seeing eye, the miraculous will happen.

The nations shall be born from this single, unified worship (i.e. One World Religion) into a time of Illumination and subsequently world peace.  Notice the All-Seeing Eye of Horus center stage and all the “eyes” turned toward it.

With her work done the Temple Priestess can now depart and enter into the light.

Or, maybe it’s just nothing but a very creative piece of entertainment and none of this imagery has any meaning at all.

Personally, I am going to lean in the conspiracy direction as I know that Madonna does not create anything (and she is in complete creative control) without having a meaning behind it.  And, I have read how devoted she is to Kabbalah and its message I have to believe the all the subliminal imagery in this performance is deliberate.

However, unlike others I’ve seen comment on this or leave comments on You Tube, Facebook and Twitter I will not stoop to name calling or vile street descriptions of the women involved.  I see no purpose in stooping to that level to get this point across.  But I will ask one question to all the Christians out there who have eviscerated Madonna for this performance and for her beliefs.  The question is this – are you as openly devoted to your beliefs as she is to hers. It’s easy to condemn others but talk is cheap.  Before you point the finger at her or anyone else take a good look at the three pointing back at you.  She’s living her faith.  Are you?

Preach the word! Be ready in season and out of season. Convince, rebuke, exhort, with all longsuffering and teaching. For the time will come when they will not endure sound doctrine, but according to their own desires, because they have itching ears, they will heap up for themselves teachers; and they will turn their ears away from the truth, and be turned aside to fables. But you be watchful in all things, endure afflictions, do the work of an evangelist, fulfill your ministry.

I am pointing all of this out as a commentary and teaching on what we are being imprinted with from the Television and Movie screens.  These images and their hidden meanings burn their way into our subconscious.  All of that means we must live the Gospel we talk about before it’s too late.  Instead of cursing or condemning Madonna pray for her.  Someone that zealous would take to the Living Waters like a fish just like someone else caught in the deception did – the Apostle Paul.  The Lord knows that when the scales fall off of deceived eyes He can use them for the Kingdom.  It’s the lukewarm who have no commitment or devotion that He spews (projected vomiting) from His mouth.

Okay, now that you know you were possibly deliberately poked in the EYE on Super Bowl night during this halftime show, what are you going to do about it.  I’d suggest you keep the other eye open.

To help you do that we are leaving the LIGHT on!

All images and screen captures were used for teaching and commentary only.
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About The Beacon's Glare

Sharing information and inspiration from all areas. Natural to Supernatural. Media to Ministry. And, all areas in between.
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4 Responses to February 6, 2012 – Super Bowl Halftime Poke in the EYE

  1. mark says:

    that display was illuminatti heaven richard. the black church on “a little prayer.”
    a little prayer to whom? those commercials too. get ready for this in real life folks!

    i did like the coke bears and regis though.

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